Pam Glick news

Craig Gould interviews Pam Glick, discussing her time at Rhode Island School of Design, the evolution of her abstract work, and her ability to overcome challenges in life.

 

Pam Glick, Caroline Coon and Denzil Forrester feature in the 2024 White Columns Benefit Auction​.

Formal play typifies Pam Glick’s practice. Hallmarked by her continued interest in the universal language of abstraction, Glick describes her painting process “as a playground that I set up.”

‘The Feminine in Abstract Painting’ explores the construction of femininity through aesthetics, rather than identity or gender.

Solo exhibition 'Dream House: Niagara–USA–Canada' continues Glick's ongoing series of interpretations of Niagara Falls on stretched canvases. Through mark-making and improvisational brush strokes, patterns render shapes that emulate mist and the motion of water flowing over the falls.

'Triad 2020' features new, large scale paintings by Patrick Dunfey, Pam Glick, and Richard Jacobs. The group presentation explores the relationships between order and disorder; chaos and structure; and work and play.

White Columns presents a solo exhibition by the Buffalo, New York-based artist Pam Glick. The presentation comprises of a group of twenty paintings, typically made with oil and enamel paint, that together might be understood as psychologically-charged landscapes.

Group presentation 'Contemporary Artists vs. The Masters: Homage, Battle, Reclamation' explores the ways in which contemporary artists engage with art history both aesthetically and culturally.

Group exhibition 'Lost Cat' explores the seismic changes in the ways people communicate and connect facilitated by technology and various forms of social media. The presentation focuses on artists working in new directions in contemporary art and examines the importance of materiality, immediacy, confrontation. and new understandings of composition and intention, ultimately acknowledging the hand of the artist and the need for community.