The Polygon Gallery presents ‘Interior Infinite’, a celebration of radical togetherness and unique self-expression.
Kehinde Wiley and Amy Sherald’s acclaimed and historically important portraits of President Barack Obama and First Lady Michelle Obama go on display in association with Smithsonian’s National Portrait Gallery, Washington, D.C.
Ikon Gallery presents ‘A Very Special Place: Ikon in the 1990s’ 18 June – 30 August 2021, the fourth show in a series of surveys reviewing retrospective exhibitions from the galleries artistic programme.
'at home: Artists in Conversation' brings together curators and artists to discuss various artistic practices and insights into their work. Join Martina Droth (Deputy Director and Chief Curator, Yale Center for British Art) this Friday 18 June for a lively and inspiring conversation with British-Nigerian artist Yinka Shonibare CBE RA.
'Humdrum Days' at Louisiana Museum is the first major exhibition by Mamma Andersson in Denmark. Featuring almost 60 works including new paintings, the show spans 15 years of Andersson's practice. The presentation was developed in close collaboration with the artist and is accompanied by a catalogue with texts by Magnus Florin, Karl Ove Knausgård, Barry Schwabsky and an interview by the curator Marie Laurberg.
Art Basel's 'OVR: Portals' curator Larry Ossei-Mensah joins African-American artist Deborah Roberts for an intimate Clubhouse conversation, focused on text and cultural discourse.
‘London Calling. British art today. From David Hockney to Idris Khan’ brings together the work of leading British artists of different generations for whom the city of London has played an important role in their artistic career.
‘Swiss Sculpture since 1945’ is a comprehensive exhibition that offers an overview of an exciting chapter in Swiss art history.
‘Cross Pollination: Heade, Cole, Church and our Contemporary Moment’ is a national collaborative exhibition exploring the theme of cross pollination in art and the environment from the 19th century to today.
Join Clare Lilley (Curator, Yorkshire Sculpture Park) in conversation with British-Nigerian artist Yinka Shonibare CBE RA, as they delve into his landmark exhibition, 'FABRIC-ATION' (2013).
'Diversity United' is a major cross-border exhibition which travels from Tempelhof Airport, Berlin, Germany to New Tretyakov Gallery, Moscow, Russia and Palais de Tokyo, Paris, France. The show brings together works by 90 contemporary artists to reveal the vitality and diversity of European art after the fall of the Iron Curtain whilst underlining the importance of intercultural dialogue in times of political uncertainty.
We were delighted to host a virtual talk on the occasion of Yinka Shonibare CBE's and Leilah Babirye's solo exhibitions at Stephen Friedman Gallery this summer. Chaired by Alexandria Smith (Head of Painting, Royal College of Art, London), the event looked at how these exhibitions investigate and disrupt notions of African identity.
Monumental sculpture ‘Because Once You Enter My House, It Becomes Our House’, by Jeffrey Gibson borrows its title from ‘Can You Feel It’ by Mr. Fingers (Larry Heard), a song the artist associates with nightclubs that have provided haven and community especially for LGBTQ+ people and BIPOC.
'Breaking the Mould' is a major touring exhibition which challenges male-dominated narratives of post-war British sculpture by presenting a diverse and significant range of ambitious work by women. Included in the exhibition is Holly Hendry's 'Gut Feelings (Stromatolith)', 2016, a geological-style cross section that references undersides, be it subterranean or subcutaneous.
'Unnatural History' is a major group exhibition which explores natural history and climate change, curated by Invisible Dust as part of Coventry 2021 City of Culture. The presentation explores the role of the artist as an intrinsic part of the science of natural history, enabling our modern understanding of ecology, climate change, extinction and the threats to biodiversity.
'Sweet Bitter Love: An Initiative of Toward Common Cause' presents Jeffrey Gibson’s reflections on representations of Indigenous people in cultural institutions. Responding to a series of 19th-century portraits by Eldridge Ayer Burbank, Gibson (a member of the Mississippi Band of Choctaw Indians and of Cherokee descent) refutes the stereotypical imagery that, for centuries, has helped create and reinforce pernicious myths about Indigenous people.
This new group exhibition explores themes surrounding the restitution of African heritage in contemporary art. Co-produced by La Maison de l’Afrique à Nantes and L’association Les Anneaux de la Mémoire, the show is part of the Year of Africa in France.
Thomas Hirschhorn joins curator Sophie Lauwers, and philanthropist Vera Michalski-Hoffmann to discuss the challenges of keeping public art public. Moderated by Antony Hudek, the conversation will address the questions: "How to maintain the collaborative spirit of works conceived in and for public space?" and "What role do private art foundations play in ensuring their long-term agency?”
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