![Denzil Forrester](https://artlogic-res.cloudinary.com/w_3000,h_2000,c_limit,f_webp,fl_lossy,q_auto:good/ws-stephenfriedman/usr/images/artists/hero_image/items/59/59ae2fb3c7e74f049267bb9bbc2cf9d5/for-208-dub-photo-1.jpg)
Denzil Forrester
Overview
Denzil Forrester's vibrant works immortalise the dynamic energy of the London reggae and dub nightclub scene during the early 1980s, a subject that has endured throughout four decades of his practice.
Denzil Forrester's vibrant works immortalise the dynamic energy of the London reggae and dub nightclub scene during the early 1980s, a subject that has endured throughout four decades of his practice.
Born in Grenada in 1956, Denzil Forrester moved to London in 1967. He now lives and works in Cornwall, UK. Forrester received a BA in Fine Art from the Central School of Art, London in 1979 and an MA in Fine Art from the Royal College of Art, London in 1983. He was awarded the decoration of Member of the Most Excellent Order of the British Empire or MBE in December 2020. Forrester received the Morley Fellowship from Morley College, London in 2019; a Harkness Fellowship in New York in 1986-88; and a scholarship by the British School at Rome in 1983-85.
Pulsating with rhythm, the artist's expressive depictions of dance halls and clubs capture crowds of people moving in unison with the beat of the music. Flashes of vivid colour, gestural brushstrokes and frenetic compositions characterise his work. Forrester explains: “I just wanted to draw movement, action and expression. I was interested in the energy of the crowd, particular dance movements and what the clubbers wore. In these clubs, city life is recreated in essence: sounds, lights, police sirens, bodies pushing and swaying in a smoke-filled room.”
In his recent work, Forrester’s scenes of urban dancehalls are juxtaposed with themes of social injustice, vivid recollections from his childhood and contemporary views of Cornwall. Peter Doig notes that these “dreamlike” works “emerge as much from [the artist’s] imagination as from his studies of real life” and possess “a subtlety and form that has perhaps come about because he is reflecting upon his past."
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